One would recall that February is associated with the celebration of one of the most renowned events among the Rastafari brethren. But, if you have forgotten or new to the discourse on Rastafari—by reading this—it is the birth of music icon and Reggae legend Robert Nesta Marley, popularly known as Bob Marley. “Third World hero, icon, international superstar, king of reggae, protest singer, representative of the oppressed, the pride of Jamaica, a troubadour in difficult times, legend.” These are the cocktail of words Martijn Huisman chooses to introduce his readers to who Bob Marley is, in the preface of his book, Babylon by Bus: Bob Marley and the Wailers in the Netherlands. Bob Marley was born in Nine Mile, St. Ann Parish—which is the same birthplace of the Honourable Marcus Garvey (Barrett, 1997) and Winston Rodney (Burning Spear)—on 6th February 1945 to a white father, Capt. Norval Sinclair Marley, and an African mother, Cedella Booker. In Bob Marley: A Biography by David V. Moskowitz, he indicates that the exact time of Marley’s birth was 2:30 pm. Born in the rural and low-class community of Nine Miles, Marley grew to become a thorn in the flesh of the white oppressors, thereby challenging the status quo: the subjugation of Africans all over the world. His sojourns across the globe, from his homeland Jamaica, Europe, Central America, Africa to faraway Japan, brought renown to Bob Marley and the whole island of Jamaica.
Robert Nesta ‘Kwabena’ Marley, African philosophy and Agenda 2063
Let me add from the onset that, those closest to me, I believe, are [most] aware of how I prefer to call “The King of Reggae;” Kwabena Marley. I do so because it offers me a truer sense and appreciation of Marley’s African identity and his appeal to African philosophy; it is also to appease my Afrocentric spirit. For clarity sake—taking into consideration my non-Ghanaian brothers and sisters who are reading this—Kwabena refers to a male Ghanaian born on a Tuesday per the Akan custom; this goes to say that Bob Marley was born on Tuesday.
This essay positions the life and work of [Kwabena] Marley within the purview of African philosophy (pan-Africanism) through a study of his personality, lyrics (message) and awareness of his African roots. Also, I situate Marley’s works, which many perceive as prophecies, in a contemporary context of the 21st-century African struggle and the discourse of Agenda 2063, which is a blueprint for the holistic adoption of pan-Africanism for the transformation of Africa. Mooted in 2013, Agenda 2063 encompasses the social, cultural, political and economic issues of Africa, and makes a long-term projection of the state of Africa by the said year having adequately addressed the pitfalls within the aforementioned spheres of African life, through pan-Africanism.
Even though Bob Marley was not a literate—in terms of formal education—one would concede that he exhibited a splendid cognizance of issues—politics, religion, social injustice, cultural alienation—militating against the progress of Blacks. He embarked on what can rightly be referred to as “a pedagogy of the oppressed” in that, he enlightened African people of the need to redeem themselves and reclaim their identity, which suffered grisly as a result of centuries-long domination through slavery and colonialism. In an amusing twist to the claim that Bob Marley received no formal education, Prof. Horace Campbell, in Rasta and Resistance, is of the view that it was with the Rastafari movement that Marley had his formal education. In 1978, introducing his interview with Bob Marley on NBC News in New York—while Marley was in exile after there had been an assassination attempt on his life—Bruce Morrow said “Bob Marley’s music concerns itself with political tension, social injustice and black roots… most Jamaican musicians are Rastafarians; it’s a sect that believes Jamaican culture should reflect its African heritage.”
It is in light of this that I perceive of Bob Marley as an African philosopher; thus to say he sourced his philosophy (thinking) from his deep-rooted connection with the African blood which coursed through his veins (the reason why Kwabena Marley appeals more to me than his ‘Christian’ name, Robert). Thankfully, a number of evidences sustain my description of Bob Marley. Prof. Horace Campbell clears it up by suggesting that “Marley identified with Africa and broke the long tradition of mixed-race persons who denied their African heritage.” According to G. Tubei, “Bob Marley loved Jamaica but he was in transit and Africa was the destination. He not only loved the continent symbolically but also in a real sense.” Speaking to The Guardian, Rita Marley, Bob’s widow and member of The Wailers’ backing vocalists I-Threes, stated that “Bob’s whole life is about Africa, it is not about Jamaica;” “How can you give up a continent for an island?”, she asked.
Again, as to why I find a convergence between Marley’s words and the aspirations stipulated in the Agenda 2063 framework, the words of Bob Marley have lived on for over 46 years (since the release of Catch a Fire album) and if anyone ever questioned me about the likelihood of extinction of his name and messages, my response would be: I see no light at the end of the tunnel. According to the African Union Commission (AUC):
The aspirations [of Agenda 2063] reflect the desire of Africans for prosperity and well-being, for unity and integration, for a continent of free citizens and expanded horizons, with freedom from conflict and improved human security. They also project an Africa of strong identity, culture and values, as well as a strong and influential partner on the global stage making an equal contribution to human progress and welfare – in short, a different and better Africa (AUC, 2014:10).
Interestingly, I chanced upon a comment under a video of Bob Marley’s performance at the Oakland Auditorium in 1979 on YouTube, which immediately gave credence to my thoughts expressed in this article. Rick Fountain, Jr. wrote that “5000 years from now Bob will still be with us!!!!!” Marley sang about the struggles of African people while signifying the need for Pan-African unity on the African continent to launch an onslaught on Western oppression and exploitation. Insofar as the African dream of a free, united and strong Africa is attained, the words of Marley continue to be relevant to the fight for the total liberation of the continent. I mean, what striking difference is there to be seen between the songs (chants) of Bob Marley and the rantings of Ghana’s first Prime Minister and President, Osagyefo Dr. Kwame Nkrumah? Possibly, it is the reverse of the similarities between these astute individuals of the 20th century.
Furthermore, in Redemption Song, Bob Marley begins with the poignant narration of how his ancestors were forcefully shipped from Africa in slave ships to foreign lands: “Old pirates, yes, they rob I. Sold I to the merchant ships Minutes after they took I (sic) from the bottomless pit.” This song was on Bob Marley’s last album Uprising released in 1980. Nevertheless, he acknowledges that despite the transgression and ordeal suffered, we forward in this generation, triumphantly. Though not exclusively his own words, Marley goes on to admonish blacks (Africans) that: “Emancipate yourselves from mental slavery; none but ourselves can free our minds.” This was a clarion call to blacks by Marcus Garvey who maintained that while others may liberate our bodies, none but ourselves can free our minds (Garvey, 1925). Garvey’s central ideas, which led to the formation of the U.N.I.A were race first, economic empowerment through self-reliance, Black Nationalism, the centrality of Africa and the liberation of Blacks from mental slavery.
With Bob Marley’s call on Africans to “emancipate ourselves from mental slavery,” Campbell believes that it is a passionate advice for “intellectuals and the activists to make a break with the epistemologies that justify and cover up oppression.” Looking at the 21st century now, with neo-colonialism still blossoming on the African continent, the emancipation project has been left unattended to by Africans (notably the leaders on the continent); by “emancipation” Bob Marley seems, in this time, to mean the renewal of and disentangling our minds from Eurocentric standpoints and to embrace Afrocentric perspectives, which will nurture our awareness and appreciation of the African reality. The resurgence of the African personality, as trumpeted by Dr. Kwame Nkrumah, will ensure that Africa receives a facelift in international affairs or its relationship with the rest of the world (globalization).
According to Molefi Kete Asante, “Afro-centricity is an intellectual paradigm that privileges the centricity of Africans within the context of their own historical experiences.” It seeks to challenge Euro-centric viewpoints and its domination on African people as a result of the slave trade and colonialism. Euro-centrism presents a racist, divisive, ahistorical, and dysfunctional view of world history. While we free our minds, “none but ourselves” reminds us of the daunting task which behoves on Africans to ensure the total redemption of the continent. It is only when this is achieved that we can finally lend our voices to Bob Marley in joining the masses who will be singing the freedom songs with him in 2063 when he calls out “Won’t you help to sing these songs of freedom?”
Additionally, Bob Marley talks about what Worth (1995) has pointed out as a commonality between all Rastas—the rejection of Babylon—in Babylon System (1979). The teachings of Rastafari calls for a total abhorrence of Babylon, a place Rastafarians perceive as the abode of oppressors. Babylon, for Rastas, denotes Western society. This is seen in Hagerman’s (2012:384) insistence that “Babylon is the root of oppression.” The Rastas’ belief that Babylon’s mission is to put God’s [Jah] creation asunder fuels their determination to reject the dealings of Babylon, as seen in the opening verse of Babylon System:
We refuse to be
What you wanted us to be
We are what we are.
That’s the way it’s going to be if you don’t know
Rastas are convinced beyond measure that Babylon is the progress that was made possible by the oppression of Africans (Worth, 1995). Reference can be made to Walter Rodney’s How Europe Underdeveloped Africa, in which he averred that the underdevelopment of Africa is as a result of calculated schemes of domination and impoverishment of African peoples. This suppression of Africa has operated on cultural, political, economic and social levels of African life.
Certainly, Africa has not lived up to her full potential as a continent endowed with vast natural and mineral resources; but it is important now more than ever, as we advance in the 21st century, to turn around the fortunes of the continent of Africa. It is expected of Africa to look within herself for solutions to her problems as well as strive to break free of the snares of these nations and their multinational corporations that continuously fleece Africa; this is captured appropriately in Marley’s words “Babylon system is a vampire sucking the blood of the sufferahs (sufferers).” In another song Chant down Babylon, Bob Marley charged fellow Rastafarians [Africans] to “Come we go burn down Babylon.”
Just as Marley rightly sings:
Yes, we’ve been trodding on the winepress much too long
To ‘Rebel’ against neo-colonialism (Babylon system), Osagyefo Dr. Kwame Nkrumah in his book, Africa Must Unite (1963), and Bob Marley in his 1979 classic, Africa Unite on the Survival album, are conscious of the legitimacy of the purpose for which the unification of Africans, both home and abroad, is a must. Perhaps, this fine line between [Kwabena] Marley and Kwame Nkrumah evidences the fact that both individuals were hugely influenced by the Philosophy and Opinions of Marcus Garvey. In an interview with Gil Noble on his television show ‘Like It is’ in 1980, Bob Marley cited Marcus Garvey of Jamaica and Haile Selassie of Ethiopia as individuals who significantly influenced him as a musician, a reggae musician for that matter. One would notice from the footages of Bob Marley’s live performances on stage that the pictures of Haile Selassie and Marcus Garvey were always displayed in the background alongside the Ethiopian flag with the Lion of Judah embossed in it.
Admittedly, these are two stalwarts of pan-Africanism; one has been referred to as the “Black Moses” (see Edmund Cronon’s Black Moses: The story of Marcus Garvey and the U.N.IA) and the other is a founding father of the Organisation of African Unity (O.A.U). Themes of freedom, social injustice, racism, poor working conditions of Africans, colonialism, impoverishment in Africa, black pride and solidarity, and African unity resounded in the speeches and writings of these dignified men of black origin. In the words of Campbell, throughout Marley’s career as a singer and writer, “he distinguished himself as a spokesperson for the Rastas and other oppressed peoples in a manner which had not been attempted since the time of Garvey.” Instinctively, this affirms my assessment of [Kwabena] Marley as an African philosopher (pan-Africanist).
In Africa Unite, Marley adopts the words of Psalm 133:1, how good and pleasant it will be before God and man to see the unification of Africans, to prove the need for unity among black people. During his performance at the Santa Barbara County Bowl, Bob Marley repeated that “Marcus Garvey said it so let it be done” and was clear on why the unity of Africa is imperative: Unite for the benefit of your people (children)…unite for the Africans abroad; unite for the Africans ah yaad (at home). Similarly, in Africa Must Unite, Kwame Nkrumah writes:
We in Africa who are pressing now for unity are deeply conscious of the validity of our purpose. We need the strength of our combined numbers and resources to protect ourselves from the very positive dangers of returning colonialism in disguised forms. We need it to combat the entrenched forces dividing our continent and still holding back the millions of our brothers. We need it to secure total African liberation (Nkrumah, 1963:217).
However, in Top Rankin’ (1979), Marley warned that it is not the dream of the oppressors to see Africans unite:
They don’t want to see us unite
All they want us to do is keep on fussing and fighting
They don’t want to see us live together
All they want us to do is keep on killing one another
And Dr. Kwame Nkrumah in his speech at the Casablanca Conference in 1961 declared that “I know, of course, that the colonialists and imperialists are greatly disturbed and most unhappy about our talk on African Unity. They are not going to sit down with folded arms” (Obeng, 1997:3). Moreover, Agenda 2063 envisions that “Africa will witness the re-kindling of African Solidarity and Unity of purpose of the Founders that underpinned the struggle for emancipation from colonialism, apartheid and economic subjugation (AUC, 2014:16). Campbell (2011) admitted that this call for African Unity by Bob Marley from the masses was as pressing as it was 31 years ago. Simply put, “Bob Marley was very conscious that the African revolution and African unity were inseparable” (pg. 8). The situation of Africa is nothing to write home about, just as it was 8 years ago, when Prof. Horace Campbell espoused the relevance of Bob Marley’s pan-Africanist stance on African Unity. African leaders ought to be mindful of the plight of their people and map out a collective response to their predicaments through an unbridled unified effort.
Now, the choice for my title is necessitated by the paradox of Africa, which, to me, remains an unfathomable reality of a continent so blessed with innumerable natural (mineral) resources. This chimes in with the point of African Unity, which holds immense potential as the panacea to the continent’s myriad of problems confronting its progress. In Rat Race (1979), Bob Marley declares that “In the abundance of water, the fool is thirsty.” Prof. Wangari Maathai expresses explicitly in The Challenge for Africa that “Africa is not poor, but that she has yet to learn to protect her wealth for herself” (Maathai, 2009:91). Just as Nkrumah declared in his address at the All-African Peoples Conference in 1958, “It is Africans who are poor, not Africa.” One shudders to call another or others “fools” but considering the words of Marley and the conditions prevailing in Africa, the question is: Who gets thirsty when there is an abundance of water? Sadly, Africa is thirsting (poverty) while there is an abundance of water (natural resources) available to her. The resources of Africa should and must contribute to uplifting the peoples of Africa from their destitute conditions; for too long the industrialized nations have benefited tremendously from Africa’s resources much to the detriment of the African people on whose land these resources are found. Aspiration 3 of Agenda 2063 projects that the peoples of Africa “will also have their fair share of the exploitation of natural resources and will be using them for the benefit of all by 2025” (AUC, 2014:17), while aspiration 1 forecasts that there will be “the growth of regional manufacturing hubs, around the beneficiation of Africa‘s minerals and natural resources in all corners of the continent” (AUC, 2014:13).
It is expected that in 2063, in the abundance of water (resources) there will be no fool (Africa) thirsting (stuck in poverty). As we remember Bob Marley, revolutionaries will seek his inspiration to push for a significant leap beyond the world of capitalist oppression, dehumanization, and injustice. [Kwabena] Marley’s revolutionary stance was unmatched and his words continue to inspire the fight for total liberation and redemption of Africa. Also, his music resonates in the AU Agenda 2063, which promises prosperity for Africa by the said year via placing pan-Africanism at the forefront of the project of reconstruction and transformation of Africa. With the implementation of the African Continental Free Trade Area (AfCTA), which is intended to discredit the artificial barriers imposed as a result of colonialism as well as remove trade tariffs between African countries, and the imminent common currency of the West African sub-region, ECO, there appears to be a glimmer of hope for an effective unification project of the African continent. By so doing, Bob Marley, Kwame Nkrumah, Haile Selassie, among other champions of African unity who have passed on will smile in their graves as they see the children of Africa uniting for a worthy cause.
This is to join in the worldwide celebration of Bob Marley’s 75th birthday, on Thursday, 6th February.
Source: Yaw Adjei-Gyamfi